Major Project - Storyboarding Racing License Sequence
The Storyboarding Process
This week as part of my work on the major project unit, I produced the storyboarding for the upcoming Racing License sequence. Given the complexity of the shoot with 3 cameras on tripods, a camera on a shoulder-mount and stabilisation rig and 3 go-pros to be placed on the interior of the vehicle that Alex takes his test in - having copies of storyboards to hand on the day will be incredible useful in keeping us on track and focused on attaining every shot that we plan to capture during this sequence.
The format I chose for the storyboards includes a 'Scene' section at the top of each frame, displaying information like whether or not the scene takes place inside or outside, accompanied by the location of the shot. Below this, there is the main shot illustration that displays what I have in mind for the shot described in the bottom box. Here the shot type (i.e. M.S./C.U etc.) is listed, along with a brief description of the events that are taking place in this shot.
Below you can see the completed storyboarding for the racing license sequence:
As you can see, my illustrative abilities could use some refining, however upon showing the team they seemed satisfied with the results. I plan to photocopy them during the hand-in next Friday at which point everyone will have their own copy going into the shoot the following morning.
This week as part of my work on the major project unit, I produced the storyboarding for the upcoming Racing License sequence. Given the complexity of the shoot with 3 cameras on tripods, a camera on a shoulder-mount and stabilisation rig and 3 go-pros to be placed on the interior of the vehicle that Alex takes his test in - having copies of storyboards to hand on the day will be incredible useful in keeping us on track and focused on attaining every shot that we plan to capture during this sequence.
The format I chose for the storyboards includes a 'Scene' section at the top of each frame, displaying information like whether or not the scene takes place inside or outside, accompanied by the location of the shot. Below this, there is the main shot illustration that displays what I have in mind for the shot described in the bottom box. Here the shot type (i.e. M.S./C.U etc.) is listed, along with a brief description of the events that are taking place in this shot.
Below you can see the completed storyboarding for the racing license sequence:
As you can see, my illustrative abilities could use some refining, however upon showing the team they seemed satisfied with the results. I plan to photocopy them during the hand-in next Friday at which point everyone will have their own copy going into the shoot the following morning.
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